Man-Made Woman: The Dialectics of Cross-Dressing
Ciara Cremin
‘Cremin explores the relationship between theory and life with intelligence and wit’ – Juliet Jacques, author of Trans: A Memoir (Verso, 2016)
An auto-ethnography of cross-dressing, Man-Made Woman is an experiment in thought and practice through which both author and reader are drawn into a conflict with our material, ideological and libidinal relationship to patriarchal-capitalism.
Interweaving the personal and the political, through discussions of fetishism, aesthetics and popular culture, Man-Made Woman explores gender, identity and pleasure through the lenses of feminism, Marxism and psychoanalytic theory.
Ciara Cremin
‘Cremin explores the relationship between theory and life with intelligence and wit’ – Juliet Jacques, author of Trans: A Memoir (Verso, 2016)
An auto-ethnography of cross-dressing, Man-Made Woman is an experiment in thought and practice through which both author and reader are drawn into a conflict with our material, ideological and libidinal relationship to patriarchal-capitalism.
Interweaving the personal and the political, through discussions of fetishism, aesthetics and popular culture, Man-Made Woman explores gender, identity and pleasure through the lenses of feminism, Marxism and psychoanalytic theory.
Ciara Cremin
‘Cremin explores the relationship between theory and life with intelligence and wit’ – Juliet Jacques, author of Trans: A Memoir (Verso, 2016)
An auto-ethnography of cross-dressing, Man-Made Woman is an experiment in thought and practice through which both author and reader are drawn into a conflict with our material, ideological and libidinal relationship to patriarchal-capitalism.
Interweaving the personal and the political, through discussions of fetishism, aesthetics and popular culture, Man-Made Woman explores gender, identity and pleasure through the lenses of feminism, Marxism and psychoanalytic theory.
